The Magificent First Masterpieces by Bernini
The Magificent First Masterpieces by Bernini The Barcaccia, Bernini's very first water fountain, is a magnificent chef d'oeuvre built at the bottom of the Trinita dei Monti in Piaza di Spagna.
Creators of the First Outside Garden Fountains
Creators of the First Outside Garden Fountains Multi-talented individuals, fountain artists from the 16th to the late 18th century frequently functioned as architects, sculptors, artists, engineers and cultivated scholars all in one. During the Renaissance, Leonardo da Vinci exemplified the artist as an innovative genius, creator and scientific expert. He methodically documented his observations in his now famed notebooks about his studies into the forces of nature and the properties and mobility of water. Converting private villa settings into amazing water showcases packed with symbolic meaning and natural beauty, early Italian fountain creators fused creativity with hydraulic and horticultural knowledge. Known for his incredible skill in archeology, design and garden creations, Pirro Ligorio, the humanist, offered the vision behind the magnificence in Tivoli. Masterminding the phenomenal water marbles, water features and water pranks for the numerous estates in the vicinity of Florence, other water fountain builders were well versed in humanist themes and time-honored scientific texts.The Countless Options in Garden Wall Fountains

Also referred to as a floor fountain, a stand-alone wall fountain is normally rather large, and its basin is installed on the ground.
It is possible to integrate a wall-mounted water feature onto an already existing wall or built into a new wall. A cohesive look can be realized with this type of water feature because it seems to become part of the landscape rather than an added element.
Aspects of Garden Statues in Archaic Greece
Aspects of Garden Statues in Archaic Greece Up right up until the Archaic Greeks developed the 1st freestanding sculpture, a phenomenal achievement, carvings had chiefly been accomplished in walls and pillars as reliefs. For the most part the statues, or kouros figures, were of young and nice-looking male or female (kore) Greeks. The kouroi were believed by the Greeks to typify beauty and were sculpted with one foot leading and an uncompromising rigidity to their forward-facing poses; the male statues were always strapping, sinewy, and naked.