Architectural Statuary in Early Greece

Architectural Statuary in Early Greece Most sculptors were paid by the temples to accentuate the elaborate columns and archways with renderings of the gods right up until the stage came to a close and many Greeks began to think of their religion as superstitious rather than sacred, when it became more typical for sculptors to portray ordinary men and women as well. Sometimes, a depiction of affluent families' forefathers would be commissioned to be laid inside of huge familial tombs, and portraiture, which would be duplicated by the Romans upon their conquest of Greek civilization, also became commonplace. A point of aesthetic enhancement, the use of sculpture and other art forms morphed throughout the Greek Classical period, so it is inaccurate to assume that the arts served only one function. Whether to fulfill a visual desire or to celebrate the figures of religion, Greek sculpture was an inventive practice in the ancient world, which may be what attracts our focus currently.

The Father Of Roman Water Feature Design

The Father Of Roman Water Feature Design In Rome’s city center, there are many celebrated public fountains. Gian Lorenzo Bernini, one of the most brilliant sculptors and artists of the 17th century designed, conceptualized and produced nearly all of them. He was also a city architect, in addition to his abilities as a fountain engineer, and traces of his life's work are apparent throughout the streets of Rome. A renowned Florentine sculptor, Bernini's father mentored his young son, and they ultimately went to Rome to thoroughly express their art, chiefly in the form of community water features and water fountains. An exemplary employee, Bernin earned compliments and the patronage of popes and important artists. At the beginning he was celebrated for his sculptural abilities. An expert in historical Greek architecture, he utilized this knowledge as a base and melded it seamlessly with Roman marble, most notably in the Vatican. Though many artists had an influence on his work, Michelangelo had the most profound effect.