Anglo-Saxon Landscapes at the Time of the Norman Conquest
Anglo-Saxon Landscapes at the Time of the Norman Conquest The arrival of the Normans in the second half of the eleventh century irreparably altered The Anglo-Saxon lifestyle.
The Normans were better than the Anglo-Saxons at architecture and horticulture when they came into power. But before centering on home-life or having the occasion to contemplate domestic architecture or decoration, the Normans had to subjugate an entire population. Most often constructed upon windy summits, castles were basic structures that permitted their occupants to spend time and space to offensive and defensive programs, while monasteries were rambling stone buildings commonly installed in only the most fecund, broad valleys. The bare fortresses did not provide for the peaceful avocation of farming. The finest example of the early Anglo-Norman style of architecture existent in modern times is Berkeley Castle. The keep is thought to date from the time of William the Conqueror. A significant terrace serves as a hindrance to invaders who would attempt to mine the walls of the building. On one of these terraces sits a charming bowling green: it's covered in grass and flanked by an old yew hedge that is formed into the shape of rough ramparts.
Bernini’s Very First Italian Fountains
Bernini’s Very First Italian Fountains
The Barcaccia, a stunning fountain built at the base of the Trinita dei Monti in Piaza di Spagna, was Bernini's earliest water fountain. To this day, you will find Roman locals and vacation goers filling this spot to revel in chit chatter and being among other people. Today, the city streets surrounding Bernini's fountain are a trendy area where people go to meet, something which the artist would have been pleased to learn. In around 1630, Pope Urbano VIII helped Bernini start off his professional life with the construction of his very first fountain. The fountain’s central motif is based on an enormous vessel slowly sinking into the Mediterranean. The great 16th century flood of the Tevere, which left the entire region inundated with water, was memorialized by the fountain according to documents from the time. Absenting himself from Italy only once in his life for a prolonged period of time, in 1665 Bernini traveled to France.
The Multiple Types of Wall Water Fountains
The Multiple Types of Wall Water Fountains A small patio or a courtyard is a great spot to situate your wall fountain when you seek out peace and quiet. You can have one custom-built to fit your specifications even if you have a small amount of space. A spout, a water basin, internal piping, and a pump are necessary for freestanding as well as mounted types. Traditional, contemporary, classic, and Asian are just a few of the styles from which you can consider.Freestanding wall fountains, otherwise known as floor fountains, are noticeably big and feature a basin on the ground.
A wall-mounted water feature can either be incorporated onto a wall already in existence or built into a wall under construction. This style of fountain adds to a cohesive look making it appear as if it was part of the landscape instead of an added feature.
Rome, Gian Lorenzo Bernini, And Water Features
Rome, Gian Lorenzo Bernini, And Water Features In Rome’s city center, there are countless easily recognized water features.
Practically all of them were designed, architected and constructed by one of the greatest sculptors and designers of the 17th century, Gian Lorenzo Bernini. He was also a urban designer, in addition to his expertise as a water fountain engineer, and remnants of his life's work are evident all through the avenues of Rome. A famous Florentine sculptor, Bernini's father mentored his young son, and they ultimately transferred to Rome to thoroughly exhibit their art, primarily in the form of community water fountains and water features. An exemplary worker, Bernin earned compliments and the patronage of popes and important painters. He was originally recognized for his sculpture. An expert in ancient Greek engineering, he used this knowledge as a platform and melded it flawlessly with Roman marble, most remarkably in the Vatican. He was influenced by many great artists, however, Michelangelo had the biggest effect on his work.