Where did Large Garden Fountains Come From?

Where did Large Garden Fountains Come From? The amazing or decorative effect of a fountain is just one of the purposes it fulfills, as well as providing drinking water and adding a decorative touch to your property.

Pure practicality was the original role of fountains. Large Garden Fountains Come From? 526823940817.jpg People in cities, towns and villages received their drinking water, as well as water to bathe and wash, from aqueducts or springs nearby. Until the late 19th, century most water fountains operated using gravity to allow water to flow or jet into the air, therefore, they needed a supply of water such as a reservoir or aqueduct located higher than the fountain. Fountains were not only utilized as a water source for drinking water, but also to adorn homes and celebrate the designer who created it. Animals or heroes made of bronze or stone masks were often utilized by Romans to decorate their fountains. During the Middle Ages, Muslim and Moorish garden designers included fountains in their designs to re-create the gardens of paradise. The fountains found in the Gardens of Versailles were intended to show the power over nature held by King Louis XIV of France. The Popes of the 17th and 18th centuries were glorified with baroque style fountains made to mark the arrival points of Roman aqueducts.

Since indoor plumbing became the standard of the day for fresh, drinking water, by the end of the 19th century urban fountains were no longer needed for this purpose and they became purely ornamental. Fountains using mechanical pumps instead of gravity allowed fountains to bring recycled water into living spaces as well as create unique water effects.

Contemporary fountains are used to adorn community spaces, honor individuals or events, and enrich recreational and entertainment events.

The Defining Characteristics of Classic Greek Statuary

The Defining Characteristics of Classic Greek Statuary Up until the Archaic Greeks introduced the very first freestanding statuary, a noteworthy triumph, carvings had mostly been accomplished in walls and pillars as reliefs. Youthful, ideal male or female (kore) Greeks were the subject matter of most of the sculptures, or kouros figures. The kouroi were believed by the Greeks to embody beauty and were sculpted with one foot leading and an uncompromising rigidity to their forward-facing poses; the male statues were always strapping, brawny, and naked. In about 650 BC, the variations of the kouroi became life-sized. Throughout the Archaic time, a big time of changes, the Greeks were developing new forms of government, expressions of art, and a greater awareness of people and cultures outside Greece. But in spite of the conflicts, the Greek civilization continued to progress, unabated.