Rome’s First Water Transport Solutions

Rome’s First Water Transport Solutions Rome’s first raised aqueduct, Aqua Anio Vetus, was built in 273 BC; prior to that, inhabitants living at higher elevations had to rely on natural streams for their water. Over this period, there were only two other technologies capable of providing water to high areas, subterranean wells and cisterns, which accumulated rainwater. Starting in the sixteenth century, a brand new method was introduced, using Acqua Vergine’s subterranean sections to generate water to Pincian Hill. Pozzi, or manholes, were engineered at standard stretches along the aqueduct’s channel. The manholes made it easier to clean the channel, but it was also possible to use buckets to extract water from the aqueduct, as we witnessed with Cardinal Marcello Crescenzi when he owned the property from 1543 to 1552, the year he died. He didn’t get enough water from the cistern that he had constructed on his residential property to gather rainwater. Rome’s First Water Transport Solutions 36842047841759417163.jpg

To give himself with a more useful means to obtain water, he had one of the manholes opened up, offering him access to the aqueduct below his residence.

The Godfather Of Rome's Water Features

The Godfather Of Rome's Water Features There are lots of famed Roman water fountains in its city center. Practically all of them were designed, architected and built by one of the finest sculptors and artists of the 17th century, Gian Lorenzo Bernini. His expertise as a water fountain designer and also as a city architect, are visible all through the avenues of Rome. Eventually transferring to Rome to totally express their artwork, primarily in the form of public water fountains, Bernini’s father, a distinguished Florentine sculptor, mentored his young son. An excellent worker, the young Bernini earned praise and patronage of many popes and influential designers. His sculpture was initially his claim to glory. He used his ability and melded it effortlessly with Roman marble, most significantly in the Vatican. Though many artists impacted his artistic endeavors, Michelangelo affected him the most.