Where did Large Outdoor Fountains Come From?
Where did Large Outdoor Fountains Come From? A fountain, an amazing piece of engineering, not only supplies drinking water as it pours into a basin, it can also launch water high into the air for a noteworthy effect.The main purpose of a fountain was originally strictly functional. Water fountains were connected to a spring or aqueduct to supply drinkable water as well as bathing water for cities, townships and villages. Up to the late nineteenth century, water fountains had to be near an aqueduct or reservoir and more elevated than the fountain so that gravity could make the water move downwards or shoot high into the air. Fountains were not only used as a water source for drinking water, but also to adorn homes and celebrate the designer who created it. Bronze or stone masks of animals and heroes were commonly seen on Roman fountains. Muslims and Moorish garden designers of the Middle Ages included fountains to re-create smaller versions of the gardens of paradise. King Louis XIV of France wanted to illustrate his dominion over nature by including fountains in the Gardens of Versailles. The Romans of the 17th and 18th centuries manufactured baroque decorative fountains to exalt the Popes who commissioned them as well as to mark the location where the restored Roman aqueducts entered the city.
Indoor plumbing became the key source of water by the end of the 19th century thereby restricting urban fountains to mere decorative elements.
The creation of special water effects and the recycling of water were 2 things made possible by swapping gravity with mechanical pumps.
Contemporary fountains are used to embellish public spaces, honor individuals or events, and enhance recreational and entertainment events.
Statues As a Staple of Classic Art in Ancient Greece
Statues As a Staple of Classic Art in Ancient Greece
Up right up until the Archaic Greeks introduced the very first freestanding sculpture, a noteworthy triumph, carvings had mainly been completed in walls and pillars as reliefs. Most of the freestanding statues were of youthful, winsome male or female (kore) Greeks and are termed kouros figures. The kouroi were seen by the Greeks to typify beauty and were sculpted with one foot leading and an uncompromising firmness to their forward-facing poses; the male statues were always strapping, sinewy, and unclothed. In around 650 BC, the variations of the kouroi became life-sized. The Archaic period was turbulent for the Greeks as they progressed into more refined forms of government and art, and obtained more information about the peoples and civilizations outside of Greece. But in spite of the issues, the Greek civilization continued to advance, unabated.