Water Transport Strategies in Early Rome

Water Transport Strategies in Early Rome Water Transport Strategies Early Rome 4376859037409308.jpg

Rome’s very first raised aqueduct, Aqua Anio Vetus, was built in 273 BC; before that, inhabitants living at higher elevations had to depend on local springs for their water. When aqueducts or springs weren’t easily accessible, people living at raised elevations turned to water drawn from underground or rainwater, which was made available by wells and cisterns. Beginning in the sixteenth century, a newer method was introduced, using Acqua Vergine’s subterranean segments to deliver water to Pincian Hill. Pozzi, or manholes, were made at standard stretches along the aqueduct’s channel. The manholes made it less demanding to clean the channel, but it was also possible to use buckets to extract water from the aqueduct, as we viewed with Cardinal Marcello Crescenzi when he bought the property from 1543 to 1552, the year he passed away. He didn’t get sufficient water from the cistern that he had established on his property to gather rainwater. That is when he made a decision to create an access point to the aqueduct that ran underneath his residence.

Bernini’s Very First Italian Water Fountains

Bernini’s Very First Italian Water Fountains The Barcaccia, a stunning water fountain constructed at the base of the Trinita dei Monti in Piaza di Spagna, was Bernini's earliest fountain. To this day, this area is flooded with Roman locals and travelers alike who enjoy conversation and each other's company. Today, the city streets surrounding Bernini's water fountain are a trendy place where people go to meet, something which the artist would have been pleased to learn. In about 1630, the great master designed the very first fountain of his career at the behest of Pope Ubano VIII. A large boat slowly sinking into the Mediterranean is the fountain's central theme. Bernini’s First Italian Water Fountains 63351147085786321568.jpg

Bernini’s First Italian Water Fountains 63351147085786321568.jpg

Period reports dating back to the 16th century indicate that the fountain was built as a memorial to those who lost their lives in the great flooding of the Tevere. In what became his sole prolonged absence from Italy, Bernini {journeyed | traveled] to France in 1665.

Classic Greece: The Origins of Garden Statue Design

Classic Greece: The Origins of Garden Statue Design Classic Greece: Origins Garden Statue Design 67753923397669083.jpg

Even though the majority of sculptors were compensated by the temples to decorate the elaborate columns and archways with renderings of the gods, as the time period came to a close, it became more common for sculptors to represent common people as well mainly because plenty of Greeks had started to think of their religion as superstitious rather than sacred. Portraiture came to be commonplace as well, and would be accepted by the Romans when they conquered the Greeks, and on occasion wealthy households would order a representation of their progenitors to be put inside their grand familial burial tombs. It is incorrect to say that the arts had one aim during the course of The Classical Greek period, a time of creative achievement during which the use of sculpture and alternative art forms changed. Whether to gratify a visual craving or to rejoice in the figures of religion, Greek sculpture was actually an artistic method in the ancient world, which could be what attracts our attention today.