Contemporary Garden Decor: Large Outdoor Water Fountains and their Beginnings
Contemporary Garden Decor: Large Outdoor Water Fountains and their Beginnings
Originally, fountains only served a practical purpose. People in cities, towns and villages received their drinking water, as well as water to bathe and wash, from aqueducts or springs in the vicinity. Up to the late nineteenth century, water fountains had to be near an aqueduct or reservoir and higher than the fountain so that gravity could make the water flow downwards or jet high into the air. Fountains were not only used as a water source for drinking water, but also to decorate homes and celebrate the artist who created it. Roman fountains usually depicted imagery of animals or heroes made of metal or stone masks. Muslims and Moorish landscaping designers of the Middle Ages included fountains to re-create smaller models of the gardens of paradise. King Louis XIV of France wanted to illustrate his dominion over nature by including fountains in the Gardens of Versailles. Seventeen and 18 century Popes sought to exalt their positions by adding beautiful baroque-style fountains at the point where restored Roman aqueducts arrived into the city.
Indoor plumbing became the key source of water by the end of the 19th century thereby limiting urban fountains to mere decorative elements. Gravity was replaced by mechanical pumps in order to enable fountains to bring in clean water and allow for beautiful water displays.
These days, fountains adorn public spaces and are used to recognize individuals or events and fill recreational and entertainment needs.
Bernini: The Genius Behind Italy's Greatest Fountains
Bernini: The Genius Behind Italy's Greatest Fountains One can see Bernini's very first masterpiece, the Barcaccia fountain, at the bottom of the Trinita dei Monti in Piaza di Spagna.
Classic Greece: The Origins of Outdoor Statue Design
Classic Greece: The Origins of Outdoor Statue Design Most sculptors were paid by the temples to enhance the elaborate columns and archways with renderings of the gods up until the stage came to a close and many Greeks began to think of their religion as superstitious rather than sacred, when it became more typical for sculptors to represent ordinary people as well.