Builders of the First Water Fountains

Builders of the First Water Fountains Multi-talented individuals, fountain designers from the 16th to the late 18th century typically functioned as architects, sculptors, artists, engineers and cultivated scholars all in one person. Builders First Water Fountains 31509503599358.jpg

Builders First Water Fountains 31509503599358.jpg

Throughout the Renaissance, Leonardo da Vinci exemplified the creator as a creative wizard, inventor and scientific virtuoso. He systematically noted his observations in his now renowned notebooks, following his mind boggling curiosity in the forces of nature guided him to explore the qualities and movement of water. Ingenious water displays packed of symbolic significance and natural grace converted private villa settings when early Italian water feature designers combined resourcefulness with hydraulic and landscaping expertise. The humanist Pirro Ligorio brought the vision behind the splendors in Tivoli and was renowned for his skill in archeology, architecture and garden concepts. Masterminding the extraordinary water marbles, water features and water antics for the numerous properties near Florence, other water feature builders were well versed in humanist topics as well as ancient scientific texts.

Ancient Greece: The Roots of Garden Statue Design

Ancient Greece: The Roots of Garden Statue Design Traditionally, most sculptors were paid by the temples to adorn the elaborate columns and archways with renderings of the gods, however as the era came to a close it became more common for sculptors to present regular people as well simply because many Greeks had begun to think of their institution as superstitious rather than sacred. Portraiture, which would be accepted by the Romans upon their annexation of Greek society became traditional as well, and wealthy families would sometimes commission a portrait of their forebears to be added in immense familial tombs. A time of artistic enhancement, the use of sculpture and other art forms transformed throughout the Greek Classical period, so it is not entirely accurate to say that the arts provided only one function. Greek sculpture is probably attractive to us all nowadays because it was an avant-garde experiment in the historic world, so it does not matter whether or not its original purpose was religious zeal or artistic pleasure.

Archaic Greek Artistry: Garden Statuary

Archaic Greek Artistry: Garden Statuary Archaic Greeks were renowned for developing the first freestanding statuary; up till then, most carvings were made out of walls and pillars as reliefs. Most of the freestanding statues were of youthful, winsome male or female (kore) Greeks and are known as kouros figures. The kouroi were believed by the Greeks to represent beauty and were sculpted with one foot leading and an uncompromising firmness to their forward-facing poses; the male statues were always strapping, brawny, and unclothed. Life-sized versions of the kouroi appeared beginning in 650 BC. The Archaic period was turbulent for the Greeks as they evolved into more refined forms of government and art, and gained more information and facts about the peoples and societies outside of Greece. However, the Greek civilization was not slowed down by these fights.