The Many Construction Materials of Large Outdoor Fountains
The Many Construction Materials of Large Outdoor Fountains Most modern-day garden fountains come in metal, although many other types exist. Metallic fountains, with their clean lines and sculptural accents, exist in in a variety of metals and can accommodate any style or budget.
The interior design of your house should establish the look and feel of your yard and garden as well. A popular choice today is copper, and it is used in the making of many sculptural garden fountains. Copper fountains are the ideal choice because they are perfect for the inside and outside. Copper is also versatile enough that you can select a range of styles for your fountain, from contemporary to whimsical.
If your style is more conventional, a brass water fountain might be ideal for you. Even though they are a bit old-fashioned, brass fountains are quite widespread because they often incorporate interesting artwork.
Most people today see stainless steel as the most modern option. For an immediate increase in the value and serenity of your garden, get one of the contemporary steel designs. As with all fountains, you can get any size you choose.
Fiberglass fountains are widespread because they look similar to metal but are more affordable and much less difficult to move around. Caring for a fiberglass water fountain is quite easy, another benefit that consumers like.
Ancient Greece: The Beginnings of Outdoor Statue Design
Ancient Greece: The Beginnings of Outdoor Statue Design
A good number of sculptors were remunerated by the temples to enhance the elaborate pillars and archways with renderings of the gods right up until the period came to a close and many Greeks began to think of their religion as superstitious rather than sacred, when it became more common for sculptors to represent ordinary men and women as well. Wealthy families would often times commission a rendition of their ancestors for their big family tombs; portraiture additionally became prevalent and would be appropriated by the Romans upon their acquisition of Greek civilization. A point of artistic development, the use of sculpture and other art forms transformed throughout the Greek Classical period, so it is inaccurate to assume that the arts provided only one function. Greek sculpture is probably enticing to us nowadays as it was an avant-garde experiment in the historic world, so it does not make a difference whether its original function was religious zeal or artistic pleasure.
The First Contemporary Wall Fountains
The First Contemporary Wall Fountains Pope Nicholas V, himself a well educated man, reigned the Roman Catholic Church from 1397 to 1455 during which time he commissioned many translations of old classical Greek texts into Latin. He undertook the embellishment of Rome to turn it into the model capital of the Christian world. Reconstruction of the Acqua Vergine, a ruined Roman aqueduct which had carried clean drinking water into the city from eight miles away, began in 1453 at the behest of the Pope. The ancient Roman custom of building an awe-inspiring commemorative fountain at the location where an aqueduct arrived, also known as a mostra, was resurrected by Nicholas V. The Trevi Fountain now occupies the space formerly filled with a wall fountain built by Leon Battista Albert, an architect commissioned by the Pope. The Trevi Fountain as well as the well-known baroque fountains located in the Piazza del Popolo and the Piazza Navona were eventually supplied with water from the altered aqueduct he had rebuilt.
Bernini's First Masterpieces
Bernini's First Masterpieces The Barcaccia, Bernini's very first fountain, is a magnificent chef d'oeuvre built at the bottom of the Trinita dei Monti in Piaza di Spagna. This area continues to be filled with Roman locals and visitors who like to exchanging gossip or going over the day's news. The streets surrounding his fountain have come to be one of the city’s most fashionable meeting places, something which would certainly have pleased Bernini himself. In around 1630, Pope Urbano VIII helped Bernini launch his professional life with the construction of his first fountain. The fountain’s central theme is based on an enormous boat slowly sinking into the Mediterranean. The great flooding of the Tevere that blanketed the whole region with water in the 16th was commemorated by this momentous fountain as recorded by documents dating back to this period. Absenting himself from Italy only once in his life for a lengthy period of time, in 1665 Bernini voyaged to France.