"Old School" Water Feature Creative Designers
"Old School" Water Feature Creative Designers Often working as architects, sculptors, artists, engineers and highly educated scholars all in one, from the 16th to the late 18th century, fountain designers were multi-faceted people, Leonardo da Vinci as a imaginative master, inventor and scientific virtuoso exemplified this Renaissance master. With his astounding fascination regarding the forces of nature, he explored the characteristics and motion of water and also carefully recorded his observations in his now celebrated notebooks.
Modifying private villa configurations into innovative water displays complete with symbolic significance and natural beauty, early Italian water fountain designers coupled imagination with hydraulic and horticultural ability. The humanist Pirro Ligorio, renowned for his virtuosity in archeology, architecture and garden design, delivered the vision behind the splendors in Tivoli. Masterminding the extraordinary water marbles, water features and water jokes for the numerous estates near Florence, other fountain designers were well versed in humanistic subjects and ancient technical texts.
The Major Characteristics of Ancient Greek Statues
The Major Characteristics of Ancient Greek Statues
Archaic Greeks were known for providing the first freestanding statuary; up until then, most carvings were formed out of walls and pillars as reliefs. Most of the freestanding statues were of youthful, winsome male or female (kore) Greeks and are known as kouros figures. The kouroi were considered by the Greeks to embody beauty and were sculpted with one foot leading and an uncompromising firmness to their forward-facing poses; the male statues were always strapping, sinewy, and nude. In about 650 BC, the varieties of the kouroi became life-sized. A significant era of improvement for the Greeks, the Archaic period brought about new forms of state, expressions of artwork, and a greater appreciation of people and cultures outside of Greece. Throughout this time and other times of historic tumult, encounters often occurred, most notably wars fought between city-states such as the Arcadian wars and the Spartan invasion of Samos.
Garden Water Fountains As Water Elements
Garden Water Fountains As Water Elements
The movement of water winding in or through a large feature is what defines of a water feature. The range of products available run the gamut from simple suspended wall fountains to fancy courtyard tiered fountains. Since they are so functional, these decorative elements can be placed either in your backyard or inside your home. Ponds and swimming pools are also included in the description of a water element. A garden wall fountain can be a beneficial water feature to add to any yard, yoga studio, patio, balcony, or workplace. The pleasant sounds of trickling water from this kind of feature please the senses of sight and hearing of anyone closeby. With their visibly pleasing shape you can also use them to enhance the style in your home or other living area. The sound of water produces serenity, covers up unwelcome noises and also produces an entertaining water show.
Contemporary Statuary in Early Greece
Contemporary Statuary in Early Greece Historically, the vast majority of sculptors were compensated by the temples to decorate the elaborate columns and archways with renderings of the gods, however as the era came to a close it grew to be more accepted for sculptors to present ordinary people as well simply because many Greeks had begun to think of their religion as superstitious rather than sacred. Portraiture, which would be recognized by the Romans upon their annexation of Greek civilization became customary as well, and thriving families would at times commission a portrait of their forebears to be placed in immense familial tombs. The use of sculpture and other art forms varied over the many years of The Greek Classical period, a time of creative growth when the arts had more than one goal.
It could be the advanced quality of Greek sculpture that captivates our eye today; it was on a leading-edge practice of the classic world whether it was created for religious reasons or aesthetic pleasure.