The Hellenic Republic: Cultural Sculpture
The Hellenic Republic: Cultural Sculpture
The Genesis Of Garden Fountains
The Genesis Of Garden Fountains
The central purpose of a fountain was originally strictly functional. People in cities, towns and villages received their drinking water, as well as water to bathe and wash, via aqueducts or springs nearby. Up to the late 19th century, water fountains had to be near an aqueduct or reservoir and higher than the fountain so that gravity could make the water move downwards or shoot high into the air. Fountains were an optimal source of water, and also served to decorate living areas and memorialize the designer. The main materials used by the Romans to build their fountains were bronze or stone masks, mostly illustrating animals or heroes. Muslims and Moorish garden designers of the Middle Ages included fountains to re-create smaller versions of the gardens of paradise. Fountains played a significant role in the Gardens of Versailles, all part of French King Louis XIV’s desire to exert his power over nature. The Popes of the 17th and 18th centuries were extolled with baroque style fountains made to mark the arrival points of Roman aqueducts.
Since indoor plumbing became the standard of the day for clean, drinking water, by the end of the 19th century urban fountains were no longer needed for this purpose and they became purely decorative. Gravity was replaced by mechanical pumps in order to enable fountains to bring in clean water and allow for amazing water displays.
Beautifying city parks, honoring people or events and entertaining, are some of the functions of modern-day fountains.