Aspects of Outdoor Statuary in Archaic Greece
Aspects of Outdoor Statuary in Archaic Greece Archaic Greeks were well known for creating the first freestanding statuary; up until then, most carvings were constructed out of walls and pillars as reliefs. Younger, ideal male or female (kore) Greeks were the subject matter of most of the statues, or kouros figures.
The kouroi were seen by the Greeks to embody beauty and were sculpted with one foot leading and an uncompromising stiffness to their forward-facing poses; the male statues were always strapping, brawny, and unclothed. In 650 BC, life-sized models of the kouroi began to be seen. The Archaic period was an extraordinary time of transformation for the Greeks as they extended into new modes of government, created novel expressions of art, and gained information of the men and women and cultures outside of Greece. But in spite of the conflicts, the Greek civilization went on to progress, unabated.
Where did Landscape Fountains Originate from?
Where did Landscape Fountains Originate from?
The incredible construction of a fountain allows it to provide clean water or shoot water high into air for dramatic effect and it can also serve as an excellent design feature to complete your home. From the beginning, outdoor fountains were soley meant to serve as functional elements. Cities, towns and villages made use of nearby aqueducts or springs to supply them with drinking water as well as water where they could bathe or wash. Up until the nineteenth, fountains had to be higher and closer to a water source, such as aqueducts and reservoirs, in order to take advantage of gravity which fed the fountains. Artists thought of fountains as amazing additions to a living space, however, the fountains also served to provide clean water and celebrate the artist responsible for building it. Animals or heroes made of bronze or stone masks were often used by Romans to decorate their fountains. Muslims and Moorish landscaping designers of the Middle Ages included fountains to re-create smaller models of the gardens of paradise. Fountains played a significant role in the Gardens of Versailles, all part of French King Louis XIV’s desire to exercise his power over nature. Seventeen and 18 century Popes sought to laud their positions by adding decorative baroque-style fountains at the point where restored Roman aqueducts arrived into the city.
Since indoor plumbing became the norm of the day for clean, drinking water, by the end of the 19th century urban fountains were no longer needed for this purpose and they became purely decorative. Amazing water effects and recycled water were made possible by replacing the force of gravity with mechanical pumps.
Modern-day fountains serve mostly as decoration for community spaces, to honor individuals or events, and compliment entertainment and recreational events.
The First Modern Outdoor Wall Fountains
The First Modern Outdoor Wall Fountains Himself a highly educated man, Pope Nicholas V led the Roman Catholic Church from 1397 till 1455 and was responsible for the translation of hundreds of age-old texts from their original Greek into Latin. Embellishing Rome and making it the worthy capital of the Christian world was at the heart of his ambitions. At the bidding of the Pope, the Aqua Vergine, a damaged aqueduct which had transported clean drinking water into Rome from eight miles away, was renovated starting in 1453. A mostra, a monumental commemorative fountain constructed by ancient Romans to mark the point of entry of an aqueduct, was a custom which was revived by Nicholas V.
The Trevi Fountain now occupies the area previously filled with a wall fountain built by Leon Battista Albert, an architect employed by the Pope. Changes and extensions, included in the repaired aqueduct, eventually supplied the Trevi Fountain and the well-known baroque fountains in the Piazza del Popolo and Piazza Navona with the necessary water supply.
The Father Of Rome's Water Fountain Design
The Father Of Rome's Water Fountain Design There are many renowned water features in the city center of Rome. Gian Lorenzo Bernini, one of the most brilliant sculptors and artists of the 17th century developed, conceptualized and built virtually all of them.
Also a city designer, he had abilities as a water feature designer, and marks of his life's work are evident throughout the avenues of Rome. Bernini's father, a recognized Florentine sculptor, guided his young son, and they ultimately transferred in Rome, to thoroughly show their artwork in the form of community water fountains and water features. The juvenile Bernini was an great employee and received compliments and patronage of significant artists as well as popes. His sculpture was initially his claim to fame. An authority in classic Greek architecture, he utilized this knowledge as a starting point and melded it gracefully with Roman marble, most notably in the Vatican. Though many artists had an influence on his work, Michelangelo had the most profound effect.