Where did Large Garden Fountains Come From?
Where did Large Garden Fountains Come From?
The incredible architecture of a fountain allows it to provide clean water or shoot water high into air for dramatic effect and it can also serve as an excellent design feature to complete your home. From the onset, outdoor fountains were soley meant to serve as functional elements. Cities, towns and villages made use of nearby aqueducts or springs to provide them with drinking water as well as water where they could bathe or wash. Up until the nineteenth, fountains had to be higher and closer to a water supply, including aqueducts and reservoirs, in order to take advantage of gravity which fed the fountains. Artists thought of fountains as wonderful additions to a living space, however, the fountains also served to supply clean water and honor the artist responsible for building it. Bronze or stone masks of animals and heroes were commonly seen on Roman fountains. To replicate the gardens of paradise, Muslim and Moorish garden planners of the Middle Ages added fountains to their designs. The fountains found in the Gardens of Versailles were supposed to show the power over nature held by King Louis XIV of France. The Romans of the 17th and 18th centuries created baroque decorative fountains to exalt the Popes who commissioned them as well as to mark the location where the restored Roman aqueducts entered the city.
Since indoor plumbing became the norm of the day for fresh, drinking water, by the end of the 19th century urban fountains were no longer needed for this purpose and they became purely decorative. The introduction of unique water effects and the recycling of water were 2 things made possible by replacing gravity with mechanical pumps.
Contemporary fountains are used to adorn public spaces, honor individuals or events, and enhance recreational and entertainment events.
Rome, Gian Bernini, And Garden Fountains
Rome, Gian Bernini, And Garden Fountains There are countless renowned water features in the city center of Rome. One of the best ever sculptors and designers of the 17th century, Gian Lorenzo Bernini planned, conceived and constructed nearly all of them. Traces of his life's efforts are evident throughout the avenues of Rome because, in addition to his capabilities as a water feature builder, he was also a city architect. Eventually travelling to Rome to fully reveal their art, primarily in the shape of public water features, Bernini’s father, a renowned Florentine sculptor, guided his young son. The juvenile Bernini was an great worker and earned encouragement and backing of significant painters as well as popes. At first he was renowned for his sculpting skills. Working seamlessly with Roman marble, he used a base of experience in the classic Greek architecture, most especially in the Vatican. He was affected by many great artists, however, Michelangelo had the biggest impact on his work.Original Water Delivery Techniques in The City Of Rome
Original Water Delivery Techniques in The City Of Rome Prior to 273, when the very first elevated aqueduct, Aqua Anio Vetus, was built in Rome, citizens who dwelled on hills had to travel further down to gather their water from natural sources. When aqueducts or springs weren’t available, people dwelling at higher elevations turned to water drawn from underground or rainwater, which was made available by wells and cisterns. From the early sixteenth century, water was routed to Pincian Hill via the underground channel of Acqua Vergine.
Pozzi, or manholes, were constructed at standard stretches along the aqueduct’s channel. Although they were initially planned to make it possible to service the aqueduct, Cardinal Marcello Crescenzi started out using the manholes to collect water from the channel, opening when he acquired the property in 1543. He didn’t get an adequate amount water from the cistern that he had built on his residential property to gather rainwater. That is when he made a decision to create an access point to the aqueduct that ran under his property.