Garden Water Fountain Designers Through History

Garden Water Fountain Designers Through History Often serving as architects, sculptors, artists, engineers and cultivated scholars all in one, from the 16th to the late 18th century, fountain designers were multi-faceted individuals,

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Exemplifying the Renaissance skilled artist as a creative genius, Leonardo da Vinci worked as an inventor and scientific expert. The forces of nature led him to investigate the qualities and motion of water, and due to his curiosity, he carefully documented his experiences in his now celebrated notebooks. Innovative water exhibits loaded of symbolic meaning and all-natural charm changed private villa settings when early Italian water feature designers combined imagination with hydraulic and landscaping abilities. The humanist Pirro Ligorio, celebrated for his virtuosity in archeology, architecture and garden design, delivered the vision behind the splendors in Tivoli. Other water feature engineers, masterminding the phenomenal water marbles, water attributes and water antics for the many mansions in the vicinity of Florence, were tried and tested in humanistic topics and traditional scientific texts.

The Godfather Of Roman Garden Water Fountains

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The Godfather Of Roman Garden Water Fountains There are countless famous fountains in the city center of Rome. Pretty much all of them were planned, designed and built by one of the finest sculptors and artists of the 17th century, Gian Lorenzo Bernini. His expertise as a fountain developer and also as a city designer, are observable all through the roads of Rome. To completely reveal their artwork, primarily in the form of public water fountains and water features, Bernini's father, a celebrated Florentine sculptor, mentored his young son, and they eventually moved in the Roman Capitol. The young Bernini received compliments from Popes and relevant artists alike, and was an excellent worker. His sculpture was originally his claim to popularity. An expert in ancient Greek architecture, he used this knowledge as a starting point and melded it seamlessly with Roman marble, most notably in the Vatican. He was affected by many great artists, however, Michelangelo had the biggest impact on his work.