"Old School" Water Feature Manufacturers

"Old School" Water Feature Manufacturers Multi-talented individuals, fountain artists from the 16th to the late 18th century typically served as architects, sculptors, artists, engineers and highly educated scholars all in one. Exemplifying the Renaissance skilled artist as a imaginative legend, Leonardo da Vinci toiled as an innovator and scientific guru. He systematically registered his findings in his now much celebrated notebooks about his studies into the forces of nature and the properties and mobility of water. Innovative water exhibits loaded with symbolic meaning and natural wonder changed private villa settings when early Italian water fountain designers combined resourcefulness with hydraulic and gardening expertise. Known for his virtuosity in archeology, design and garden creations, Pirro Ligorio, the humanist, delivered the vision behind the magnificence in Tivoli. Masterminding the phenomenal water marbles, water attributes and water pranks for the various properties near Florence, other water fountain builders were well versed in humanistic subjects as well as classical technical texts.

Outdoor Garden Fountains And Their Use In Ancient Minoa

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Outdoor Garden Fountains And Their Use In Ancient Minoa A variety of different kinds of conduits have been unveiled through archaeological digs on the island of Crete, the birthplace of Minoan society. In combination with offering water, they dispersed water that amassed from deluges or waste. Rock and clay were the ingredients of choice for these conduits. There were clay conduits, both round and rectangular as well as pathways made from the same material. These consisted of cone-like and U-shaped terracotta piping that were unique to the Minoans. The water supply at Knossos Palace was managed with a system of clay pipes which was located beneath the floor, at depths going from a couple of centimeters to many meters. The pipes also had other functions including gathering water and conveying it to a centralized site for storing. Thus, these pipelines had to be effective to: Underground Water Transportation: At first this particular technique seems to have been designed not for comfort but rather to provide water for chosen individuals or rituals without it being spotted. Quality Water Transportation: The pipes could furthermore have been used to move water to water fountains which were split from the city’s regular process.

Ancient Greece: The Origins of Garden Statue Design

Ancient Greece: The Origins of Garden Statue Design A good number of sculptors were remunerated by the temples to accentuate the intricate columns and archways with renderings of the gods up until the period came to a close and many Greeks started to think of their religion as superstitious rather than sacred, when it became more common for sculptors to portray ordinary men and women as well. Portraiture came to be commonplace as well, and would be welcomed by the Romans when they defeated the Greeks, and on occasion wealthy households would commission a depiction of their progenitors to be positioned inside their huge familial burial tombs. A time of aesthetic progression, the use of sculpture and alternate art forms transformed through the Greek Classical period, so it is inexact to suggest that the arts served only one function. Greek sculpture was actually a modern part of antiquity, whether the cause was faith based fervor or aesthetic fulfillment, and its modern excellence might be what endears it to us now.

The First Modern Wall Fountains

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Hundreds of classic Greek records were translated into Latin under the auspices of the scholarly Pope Nicholas V, who led the Roman Catholic Church from 1397 to 1455. Embellishing Rome and making it the worthy capital of the Christian world was at the heart of his objectives. At the behest of the Pope, the Aqua Vergine, a ruined aqueduct which had transported clean drinking water into Rome from eight miles away, was renovated starting in 1453. The ancient Roman tradition of building an imposing commemorative fountain at the location where an aqueduct arrived, also known as a mostra, was resurrected by Nicholas V. The Trevi Fountain now occupies the area formerly filled with a wall fountain built by Leon Battista Albert, an architect employed by the Pope. Changes and extensions, included in the restored aqueduct, eventually supplied the Trevi Fountain and the well-known baroque fountains in the Piazza del Popolo and Piazza Navona with the necessary water supply.