Aqueducts: The Remedy to Rome's Water Troubles

Aqueducts: The Remedy to Rome's Water Troubles Rome’s very first raised aqueduct, Aqua Anio Vetus, was built in 273 BC; prior to that, citizens residing at higher elevations had to depend on natural creeks for their water. Throughout this period, there were only two other systems capable of offering water to high areas, subterranean wells and cisterns, which amassed rainwater. In the early 16th century, the city began to make use of the water that ran underground through Acqua Vergine to furnish drinking water to Pincian Hill. Aqueducts: Remedy Rome's Water Troubles 1990422091742.jpg

Aqueducts: Remedy Rome's Water Troubles 1990422091742.jpg

As originally constructed, the aqueduct was provided along the length of its channel with pozzi (manholes) constructed at regular intervals. Though they were initially developed to make it possible to support the aqueduct, Cardinal Marcello Crescenzi began using the manholes to get water from the channel, starting when he obtained the property in 1543. He didn’t get a sufficient quantity of water from the cistern that he had constructed on his property to collect rainwater. Via an opening to the aqueduct that flowed below his property, he was able to fulfill his water desires.

Architectural Sculpture in Old Greece

Architectural Sculpture in Old Greece A good number of sculptors were remunerated by the temples to adorn the elaborate pillars and archways with renderings of the gods right up until the stage came to a close and countless Greeks began to think of their religion as superstitious rather than sacred, when it became more common for sculptors to portray ordinary men and women as well. Portraiture came to be widespread as well, and would be accepted by the Romans when they conquered the Greeks, and on occasion wealthy households would order a depiction of their progenitors to be put inside their huge familial tombs. During the the many years of The Greek Classical period, a time of aesthetic development, the use of sculpture and other art forms changed, so it is incorrect to say that the arts delivered merely one purpose. Greek sculpture is possibly enticing to us nowadays seeing that it was an avant-garde experiment in the ancient world, so it doesn't make a difference whether its original function was religious zeal or artistic pleasure.