Ancient Greece: The Inception of Outdoor Statue Design

Ancient Greece: The Inception of Outdoor Statue Design Although the majority of sculptors were compensated by the temples to adorn the detailed columns and archways with renderings of the gods of old, as the time period came to a close, it became more prevalent for sculptors to portray average people as well mainly because plenty of Greeks had started to think of their religion as superstitious rather than sacred. Portraiture became widespread as well, and would be embraced by the Romans when they conquered the Greeks, and quite often wealthy families would commission a depiction of their progenitors to be positioned inside their grand familial burial tombs. Ancient Greece: Inception Outdoor Statue Design 67118286.jpg

Ancient Greece: Inception Outdoor Statue Design 67118286.jpg

It is incorrect to say that the arts had one function throughout The Classical Greek period, a time of creative advancement during which the use of sculpture and other art forms evolved. Greek sculpture is perhaps appealing to us all today because it was an avant-garde experiment in the ancient world, so it doesn't matter whether or not its original function was religious zeal or artistic pleasure.

Rome’s Early Water Delivery Systems

Rome’s Early Water Delivery Systems Previous to 273, when the first elevated aqueduct, Aqua Anio Vetus, was constructed in Roma, residents who dwelled on hills had to journey further down to get their water from natural sources. If residents residing at higher elevations did not have access to springs or the aqueduct, they’d have to be dependent on the remaining existing techniques of the time, cisterns that collected rainwater from the sky and subterranean wells that drew the water from under ground. In the very early sixteenth century, the city began to make use of the water that flowed beneath the earth through Acqua Vergine to deliver drinking water to Pincian Hill. Throughout the time of its original construction, pozzi (or manholes) were located at set intervals along the aqueduct’s channel. Whilst these manholes were manufactured to make it easier to conserve the aqueduct, it was also possible to use containers to extract water from the channel, which was practiced by Cardinal Marcello Crescenzi from the time he obtained the property in 1543 to his passing in 1552. He didn’t get a sufficient quantity of water from the cistern that he had established on his property to obtain rainwater. By using an orifice to the aqueduct that flowed under his property, he was set to fulfill his water demands.