Where did Fountains Originate from?

Fountains Originate from? 2094857410351.jpg

Where did Fountains Originate from? A water fountain is an architectural piece that pours water into a basin or jets it high into the air in order to provide drinking water, as well as for decorative purposes.

From the beginning, outdoor fountains were soley meant to serve as functional elements. Inhabitants of urban areas, townships and small towns utilized them as a source of drinking water and a place to wash up, which meant that fountains needed to be connected to nearby aqueduct or spring. Up to the late 19th century, water fountains had to be near an aqueduct or reservoir and higher than the fountain so that gravity could make the water move down or shoot high into the air. Fountains were an optimal source of water, and also served to adorn living areas and celebrate the artist. The main materials used by the Romans to build their fountains were bronze or stone masks, mostly illustrating animals or heroes. Throughout the Middle Ages, Muslim and Moorish garden planners included fountains to create mini variations of the gardens of paradise. Fountains enjoyed a significant role in the Gardens of Versailles, all part of French King Louis XIV’s desire to exercise his power over nature. Seventeen and 18 century Popes sought to laud their positions by adding decorative baroque-style fountains at the point where restored Roman aqueducts arrived into the city.

Since indoor plumbing became the norm of the day for fresh, drinking water, by the end of the 19th century urban fountains were no longer needed for this purpose and they became purely decorative. Amazing water effects and recycled water were made possible by switching the force of gravity with mechanical pumps.

Embellishing city parks, honoring people or events and entertaining, are some of the purposes of modern-day fountains.

Classic Greece: The Inception of Garden Statue Design

Classic Greece: The Inception of Garden Statue Design Traditionally, the vast majority of sculptors were paid by the temples to embellish the elaborate columns and archways with renderings of the gods, however as the era came to a close it became more accepted for sculptors to present ordinary people as well because many Greeks had begun to think of their institution as superstitious rather than sacred. Sometimes, a depiction of affluent families' ancestors would be commissioned to be placed inside of huge familial burial tombs, and portraiture, which would be replicated by the Romans upon their conquest of Greek civilization, also became customary. The usage of sculpture and other art forms varied through the many years of The Greek Classical period, a duration of creative growth when the arts had more than one objective. Whether to gratify a visual desire or to rejoice in the figures of religion, Greek sculpture was actually an inventive practice in the ancient world, which may be what draws our interest today.