Acqua Vergine: The Answer to Rome's Water Challenges

Acqua Vergine: The Answer to Rome's Water Challenges With the building of the 1st elevated aqueduct in Rome, the Aqua Anio Vetus in 273 BC, folks who lived on the city’s hillsides no longer had to be dependent exclusively on naturally-occurring spring water for their needs. Outside of these aqueducts and springs, wells and rainwater-collecting cisterns were the sole technologies available at the time to supply water to locations of greater elevation. From the early sixteenth century, water was routed to Pincian Hill by using the underground channel of Acqua Vergine. Spanning the length of the aqueduct’s route were pozzi, or manholes, that gave entry. The manholes made it less demanding to maintain the channel, but it was also achievable to use buckets to extract water from the aqueduct, as we observed with Cardinal Marcello Crescenzi when he bought the property from 1543 to 1552, the year he passed away. The cistern he had constructed to gather rainwater wasn’t sufficient to meet his water requirements. Via an opening to the aqueduct that ran below his property, he was able to satisfy his water desires.

Rome, Gian Lorenzo Bernini, And Fountains

Rome, Gian Lorenzo Bernini, And Fountains There are countless renowned water features in Rome’s city center. Pretty much all of them were planned, conceived and constructed by one of the finest sculptors and artists of the 17th century, Gian Lorenzo Bernini. His skills as a water fountain developer and also as a city architect, are evident throughout the avenues of Rome.Rome, Gian Lorenzo Bernini, Fountains 672311795.jpg A renowned Florentine sculptor, Bernini's father guided his young son, and they ultimately moved to Rome to fully express their art, mainly in the form of public water features and water fountains. The young Bernini was an exemplary employee and won praise and backing of important painters as well as popes. His sculpture was initially his claim to popularity. Working faultlessly with Roman marble, he made use of a base of experience in the historical Greek architecture, most notably in the Vatican. Though he was influenced by many, Michelangelo had the most serious impact on him, both personally and professionally.
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