Sculpture As a Staple of Classic Art in Ancient Greece
Sculpture As a Staple of Classic Art in Ancient Greece Archaic Greeks were known for providing the first freestanding statuary; up until then, most carvings were formed out of walls and pillars as reliefs. Most of the freestanding statues were of young, winsome male or female (kore) Greeks and are called kouros figures. The kouroi, considered by the Greeks to exemplify beauty, had one foot stretched out of a rigid forward-facing posture and the male figurines were regularly unclothed, with a compelling, strong shape.
Garden Fountain Designers Through History
Garden Fountain Designers Through History Multi-talented individuals, fountain designers from the 16th to the late 18th century typically worked as architects, sculptors, artists, engineers and cultivated scholars all in one. Throughout the Renaissance, Leonardo da Vinci illustrated the artist as an innovative intellect, inventor and scientific virtuoso. The forces of nature guided him to examine the qualities and motion of water, and due to his fascination, he methodically documented his findings in his now celebrated notebooks. Innovative water exhibits loaded of symbolic meaning and all-natural charm transformed private villa settings when early Italian water feature creators combined creativity with hydraulic and landscaping abilities. The humanist Pirro Ligorio, renowned for his virtuosity in archeology, architecture and garden design, delivered the vision behind the wonders in Tivoli. Masterminding the fascinating water marbles, water features and water antics for the assorted mansions in the vicinity of Florence, other water fountain engineers were well versed in humanistic topics as well as classical scientific texts.The Beginnings of Contemporary Wall Fountains
The Beginnings of Contemporary Wall Fountains Pope Nicholas V, himself a learned man, reigned the Roman Catholic Church from 1397 to 1455 during which time he commissioned many translations of ancient classical Greek texts into Latin. In order to make Rome deserving of being the capital of the Christian world, the Pope resolved to enhance the beauty of the city. In 1453 the Pope instigated the reconstruction of the Aqua Vergine, an ancient Roman aqueduct which had carried clean drinking water into the city from eight miles away.