Where did Fountains Come From?
Where did Fountains Come From? The dramatic or decorative effect of a fountain is just one of the purposes it fulfills, as well as supplying drinking water and adding a decorative touch to your property. Pure functionality was the original purpose of fountains. Water fountains were linked to a spring or aqueduct to provide potable water as well as bathing water for cities, townships and villages. Up to the late nineteenth century, water fountains had to be near an aqueduct or reservoir and more elevated than the fountain so that gravity could make the water move down or jet high into the air. Artists thought of fountains as amazing additions to a living space, however, the fountains also served to provide clean water and celebrate the designer responsible for building it. Bronze or stone masks of wildlife and heroes were commonly seen on Roman fountains. Muslims and Moorish garden designers of the Middle Ages included fountains to re-create smaller versions of the gardens of paradise. Fountains played a considerable role in the Gardens of Versailles, all part of French King Louis XIV’s desire to exercise his power over nature. The Romans of the 17th and 18th centuries created baroque decorative fountains to glorify the Popes who commissioned them as well as to mark the location where the restored Roman aqueducts entered the city.
Indoor plumbing became the key source of water by the end of the 19th century thereby restricting urban fountains to mere decorative elements. Fountains using mechanical pumps instead of gravity enabled fountains to bring recycled water into living spaces as well as create unique water effects.
Modern-day fountains serve mostly as decoration for open spaces, to honor individuals or events, and compliment entertainment and recreational gatherings.
Cultural Statuary in Early Greece
Cultural Statuary in Early Greece
In the past, most sculptors were compensated by the temples to embellish the elaborate columns and archways with renderings of the gods, however as the era came to a close it became more common for sculptors to portray ordinary people as well simply because many Greeks had begun to think of their religion as superstitious rather than sacred. Portraiture, which would be acknowledged by the Romans upon their annexation of Greek society became conventional as well, and wealthy families would at times commission a portrayal of their forebears to be situated in enormous familial tombs. It is incorrect to think that the arts had one aim during The Classical Greek period, a duration of innovative accomplishment during which the use of sculpture and other art forms evolved. Greek sculpture was actually a modern part of antiquity, whether the cause was faith based fervor or aesthetic fulfillment, and its modern excellence might be what endears it to us now.