Where did Large Garden Fountains Come From?
Where did Large Garden Fountains Come From? The incredible architecture of a fountain allows it to provide clean water or shoot water high into air for dramatic effect and it can also serve as an excellent design feature to complete your home. The central purpose of a fountain was originally strictly practical. Cities, towns and villages made use of nearby aqueducts or springs to supply them with potable water as well as water where they could bathe or wash. Up until the 19th century, fountains had to be higher and closer to a water supply, including aqueducts and reservoirs, in order to benefit from gravity which fed the fountains. Serving as an element of adornment and celebration, fountains also provided clean, fresh drinking water. Animals or heroes made of bronze or stone masks were often used by Romans to beautify their fountains. To replicate the gardens of paradise, Muslim and Moorish garden planners of the Middle Ages added fountains to their designs. Fountains enjoyed a significant role in the Gardens of Versailles, all part of French King Louis XIV’s desire to exert his power over nature. To mark the entrance of the restored Roman aqueducts, the Popes of the 17th and 18th centuries commissioned the building of baroque style fountains in the spot where the aqueducts entered the city of Rome
Urban fountains built at the end of the nineteenth functioned only as decorative and celebratory ornaments since indoor plumbing provided the necessary drinking water. Fountains using mechanical pumps instead of gravity allowed fountains to bring recycled water into living spaces as well as create special water effects.
Decorating city parks, honoring people or events and entertaining, are some of the uses of modern-day fountains.
Rome, Gian Lorenzo Bernini, And Water Features
Rome, Gian Lorenzo Bernini, And Water Features
There are countless famous Roman fountains in its city center. Pretty much all of them were designed, conceived and built by one of the greatest sculptors and artists of the 17th century, Gian Lorenzo Bernini. He was also a city designer, in addition to his abilities as a fountain developer, and remnants of his life's work are noticeable throughout the avenues of Rome. Bernini's father, a celebrated Florentine sculptor, mentored his young son, and they finally transferred in Rome, to thoroughly express their artwork in the form of community water fountains and water features. The juvenile Bernini was an great worker and won encouragement and patronage of important painters as well as popes. He was initially renowned for his sculpture. Working gracefully with Roman marble, he made use of a base of expertise in the historical Greek architecture, most notably in the Vatican. He was influenced by many great artists, however, Michelangelo had the biggest effect on his work.
Anglo-Saxon Landscapes at the Time of the Norman Conquest
Anglo-Saxon Landscapes at the Time of the Norman Conquest The introduction of the Normans in the second half of the eleventh century greatly altered The Anglo-Saxon ways of living. Engineering and horticulture were skills that the Normans excelled in, trumping that of the Anglo-Saxons at the time of the occupation.
However, there was no time for home life, domestic design, and decoration until the Normans had overcome the whole realm. Most often designed upon windy summits, castles were straightforward structures that permitted their occupants to devote time and space to offensive and defensive programs, while monasteries were rambling stone buildings commonly installed in only the most fecund, extensive valleys. Gardening, a peaceful occupation, was unfeasible in these unproductive fortifications. The early Anglo-Norman style of architecture is exemplified in Berkeley Castle, which is perhaps the most unscathed example we have. The keep is said to date from William the Conqueror's time period. An enormous terrace encompasses the building, serving as an obstacle to assailants trying to excavate under the castle walls. One of these terraces, a charming bowling green, is covered grass and flanked by an ancient yew hedge trimmed into the form of crude battlements.