The Source of Modern Outdoor Garden Fountains
The Source of Modern Outdoor Garden Fountains Pope Nicholas V, himself a well educated man, ruled the Roman Catholic Church from 1397 to 1455 during which time he commissioned many translations of ancient classical Greek documents into Latin. He undertook the embellishment of Rome to turn it into the worthy capital of the Christian world. In 1453 the Pope commissioned the reconstruction of the Aqua Vergine, an historic Roman aqueduct which had carried clean drinking water into the city from eight miles away. The ancient Roman tradition of marking the arrival point of an aqueduct with an magnificent celebratory fountain, also known as a mostra, was restored by Nicholas V. The present-day site of the Trevi Fountain was previously occupied by a wall fountain commissioned by the Pope and built by the architect Leon Battista Alberti. The water which eventually supplied the Trevi Fountain as well as the famed baroque fountains in the Piazza del Popolo and Piazza Navona flowed from the modified aqueduct which he had renovated.The Use of Water Fountains As Water Elements
The Use of Water Fountains As Water Elements The motion of water winding in or through a large feature is what defines of a water feature.
Living areas such as big yards, yoga studios, comfortable verandas, apartment balconies, or office settings are great places to add a water feature such as a garden wall fountain. In addition to helping you kick back, both sight and sound are enticed by the soothing sounds of a water feature. Their visibly pleasing form adds to the embellishment of any area as well. You can also have fun watching the striking water display, experience the serenity, and avoid any undesirable noises with the soothing sounds of water.
Short Summary of Herb Gardens
Short Summary of Herb Gardens
The Major Characteristics of Ancient Greek Statues
The Major Characteristics of Ancient Greek Statues The Archaic Greeks manufactured the 1st freestanding statuary, an awesome achievement as most sculptures up until then had been reliefs cut into walls and pillars. Youthful, attractive male or female (kore) Greeks were the subject matter of most of the sculptures, or kouros figures. The kouroi, regarded by the Greeks to portray beauty, had one foot stretched out of a rigid forward-facing pose and the male figurines were always unclothed, with a compelling, powerful build. Life-sized versions of the kouroi appeared beginning in 650 BC.