Characteristics of Outdoor Sculpture in Archaic Greece

Characteristics of Outdoor Sculpture in Archaic Greece The first freestanding sculpture was developed by the Archaic Greeks, a distinguished accomplishment since until then the only carvings in existence were reliefs cut into walls and pillars. Kouros figures, sculptures of adolescent, good-looking male or female (kore) Greeks, made up the greater part of the sculptures. The kouroi, considered by the Greeks to represent beauty, had one foot stretched out of a strict forward-facing pose and the male statues were regularly undressed, with a compelling, sturdy physique. In about 650 BC, the differences of the kouroi became life-sized. A substantial period of improvement for the Greeks, the Archaic period helped bring about new forms of state, expressions of art, and a higher appreciation of people and cultures outside of Greece. Throughout this time and other times of historic tumultuousness, clashes often happened, most notably wars fought between city-states such as the Arcadian wars and the Spartan infiltration of Samos.

The Father Of Rome's Water Fountain Design And Style

The Father Of Rome's Water Fountain Design And Style There are numerous famous fountains in the city center of Rome. Father Rome's Water Fountain Design Style 3487069934.jpg

Father Rome's Water Fountain Design Style 3487069934.jpg

Pretty much all of them were planned, conceived and built by one of the greatest sculptors and artists of the 17th century, Gian Lorenzo Bernini. He was additionally a city architect, in addition to his abilities as a fountain developer, and traces of his life's work are apparent throughout the streets of Rome. Eventually moving to Rome to fully express their artwork, chiefly in the shape of community water fountains, Bernini’s father, a famed Florentine sculptor, guided his young son. An excellent worker, the young Bernini acquired praise and the backing of many popes and influential designers. At the beginning he was celebrated for his sculptural skills. Most notably in the Vatican, he made use of a base of experience in classic Greek architecture and melded it seamlessly with Roman marble. Though he was influenced by many, Michelangelo had the most profound impact on him, both personally and professionally.