Contemporary Garden Decor: Fountains and their Roots

Pure practicality was the original purpose of fountains. Cities, towns and villages made use of nearby aqueducts or springs to supply them with drinking water as well as water where they could bathe or wash. Used until the 19th century, in order for fountains to flow or shoot up into the air, their origin of water such as reservoirs or aqueducts, had to be higher than the water fountain in order to benefit from the power of gravity. Fountains were an excellent source of water, and also served to decorate living areas and celebrate the designer. Animals or heroes made of bronze or stone masks were often times used by Romans to decorate their fountains. To depict the gardens of paradise, Muslim and Moorish garden planners of the Middle Ages introduced fountains to their designs. To demonstrate his dominance over nature, French King Louis XIV included fountains in the Garden of Versailles. To mark the entrance of the restored Roman aqueducts, the Popes of the 17th and 18th centuries commissioned the building of baroque style fountains in the spot where the aqueducts entered the city of Rome
Indoor plumbing became the main source of water by the end of the 19th century thereby restricting urban fountains to mere decorative elements. The introduction of unique water effects and the recycling of water were two things made possible by swapping gravity with mechanical pumps.
Decorating city parks, honoring people or events and entertaining, are some of the functions of modern-day fountains.
At What Point Did Water Fountains Emerge?
At What Point Did Water Fountains Emerge? The translation of hundreds of classic Greek texts into Latin was commissioned by the scholarly Pope Nicholas V who ruled the Church in Rome from 1397 until 1455. He undertook the beautification of Rome to make it into the worthy seat of the Christian world. Restoration of the Acqua Vergine, a desolate Roman aqueduct which had transported fresh drinking water into the city from eight miles away, began in 1453 at the behest of the Pope. The ancient Roman tradition of building an awe-inspiring commemorative fountain at the location where an aqueduct arrived, also known as a mostra, was resurrected by Nicholas V.